Q. Explain how
Rossetti describes/portrays death and loss in her poem ‘Song.’
Sentimentalized depictions of the unfortunate deaths of
women, occupied many Pre-Raphaelite brotherhood paintings and poems. The
well-known tales such as ‘The Lady of Shallot’ turn women into objects, to be
toyed with and manipulated. They place women at the servitude of the man in
their lives. These works originate mostly from a male vantage point. Christina
Rossetti provides a unique counter argument to these works that surrounded the
sum total of her life in her poem ‘Song.’ Here Rossetti uses an Iambic
Tri-meter structure (which is mostly used in the dramatic forms of comedy and
tragedy, and are/was used mainly for the verses that were/are "spoken"
by a character from the dialogue rather than the vocal passages themselves) to
voice the inner most thoughts of a dying Victorian woman, as though possibly in
response to her brother, Dante Gabriel’s poem “The Blessed Damosel” in which a
bereaved male whom is envisioning his dead beloved grieving for him in heaven,
not long after she has passed. D. Gabriel’s poem is also written as an iambic
tri-meter (but alternates between tri-meter and tetrameter) which consequently,
is a common psychological pattern occurring subconsciously when responding or
connecting with/to another individual in order to create a ‘common or relatable
ground’ explaining both the context of each poem; wanting to connect with the
dead/dying and the siblings response to each other; trying to understand death
personally and romantically.
Rossetti’s female character in ‘Song’ feels little pain or
loss but rather seeks peace for both gender characters. Rossetti paints a
picture destitute of human earthly desire, in fact characterised by ambivalence.
The woman does not languish endlessly for her lover; she states that “Haply
[she] may remember/Haply [she] may forget” and that she too will forget her
lover in time. There is a marked amount of repetition in ‘Song’, for example,
whilst the first verse ends, ‘And if thou wilt, remember, / And if thou wilt,
forget (lines 7-8), and the second ends ‘Haply I remember, / And haply may
forget’ (lines 15-16). By prefacing the words ‘forget’ and ‘remember ' in the
same way in both occurrences, there is a blurring of the distinction between
memory and forgetfulness. Additionally, the beginning three lines in the second
verse begin, ‘I shall not' (lines 9-11). The repetition of this expression
highlights the transformation of the speaker's senses after death. The
character is no longer able to ‘see', ‘feel', or ‘hear' the earthly pleasures
(that overtake the imagery in the majority of Rossetti’s poetry) but rather,
their concerns will shift away from the earthly environment. Lines 7-8 at first
glance, seem to state the dying woman’s unwillingness to have her upcoming
death trouble her beloved. These lines may be seen to incorporate a
stereotypical Victorian view of the expected female selflessness.